Through acts of performance, listening and quiet activism, my work pursues the intangible vulnerability of our encounters with one another and the living world, drawing on landscapes of fear, memory, longing and loss. These acts can be traced within layers of still and moving images, sound, performance and montage, structured within the parameters of loosely defined frameworks which embrace the aleatory. 

Ongoing areas of interest include: how to inhabit the ‘rural' in an East Anglian landscape, where wildlife, agriculture, industry and science intersect and elide; exploring the changing nature of the traces we leave behind; performance and the written instruction.

Through different processes, my approach is reflexive and responsive, subjective and observational, allowing humour and the absurd to interact with tension and disquiet, blurring boundaries between the sights, sounds and smells of the real, the imagined and the remembered, as they coalesce with the passing of time.

Dialogue with my Father: the piano, screened in the group show In Proximity at Norwich Castle Art Gallery 2025-2026. A solo show in 2025 at Project DIVFUSE in London screened a 30 minute selection of moving image work on a theme of domesticity. My work in sound has been broadcast on Framework Radio/Resonance FM.



CV
Solo Exhibitions
2025 Dialogues, DIVFUSE Film Archive No.1, Project DIVFUSE, London UK


Group Shows
2026 Dialogues with my Father screened at In Proximity, Group Show, Norwich Museum and Art Gallery, UK
1994 Two Nudes, double video projection Ruskin School, Oxford University
1994 Notation Drawings, photomontange on paper, Warsaw, Poland
1994 Nude Against the Light, performance, Reichstag, Berlin
1994 Intangible Distance, performance, Long Room, New College, Oxford
1993 Exhibition of Drawing and Painting, Group Show, work on paper, University College, Oxford
1994 Disembodied, performance, Group Show, Bermondsey, London


Collections
2025 Sound and Moving Image Collection, British Library Sound Archive, London

Sound
2025 Ephemeral Things Digital Album, limited edition CD
2023 Drawing Digital Album
2023 Hiding selected for Murmuration#3 - Species
2022 The Caged and the Free Digital Album
2022 Dialogue with my Father: Now He is Gone
2022 /prə(ʊ)ˈkrastɪneɪt/ Digital Album
2022 (in)visible Digital Album

Education
2000 PGDip Teaching in the Lifelong Learning Sector
1998 MA Enterprise & Management of the Creative Arts, London College of Communication
1997 PGDip Law, BBP Law School, London
1994 PGDip Teaching English as a Foreign Language, London
1994 BA Fine Art (Ist Class Hons), The Ruskin School of Art, Oxford University, Oxford 
1990 Fine Art Foundation Course, West Yorkshire

Training
Soil Chromatography with Hannah Fletcher; Phytography with Karel Doing; Forest Garden Design with Martin Crawford; Swedish woodcarving techniques with Robin Wood; weaving with Mary Butcher; bookbinding and bronze casting at Camberwell College of the Arts; 16mm Film workshops at London Filmmakers Coop.

Membership
a-n Artist Membership

Through the 1990s and early 2000s, I stopped showing work while continuing to develop my art practice embracing the emergence of portable, digital video and sound recording tools for creating moving image, while living without a studio in London. During this time I had a child; briefly worked for Book Works (1995) and Wise Music Group (1996); studied PGDip Law (1997) to better understand a personal injury claim arising from a road accident; taught art in the Lifelong Learning Sector (from 2000); initiated local, community funded Artist in Residence projects including Video Portraits (2002) and a large scale mosaic mural (2005); curated The Rhythm of Life art exhibition at Croydon Clocktower (2006); home educated my son (2008-2011); co-founded Make it! a CIC offering art workshops to adults with learning disabilities (2013-15); custodian to the literary estate of composer and writer Patric Standford (2014); moved to rural Suffolk and set up an edible forest garden following Martin Crawford’s principles at the Agroforestry Research Trust, Devon (2015).

© Sophie Standford, 2026 
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