2025
single channel colour 16:9 HD video | 7’20” | sound
When does holding on to transitional objects of grief become self-destructive? The heavy bulk of a neglected, domestic, upright piano is pushed around on a concrete floor trying in vain to find the right place, before letting go. Frustration strips the piano of its dignity. Braced, it fights back stoically, belligerent, vibrating a dance to its raucous rumbling. Dainty wheels twist in agony under its defiant weight, before drawing you into a mesmerising journey which gives voice to the piano’s final involuntary creaks and resonances.
2022
works on paper
handwritten music manuscript fragments, printed annotated notes, graphite, ink, gouache, photographs, paper, approx. 21x30cm
Working with archival material, collage and expressive mark-making, this series is a response to the discipline of creating an archive, and the palimpsest of working processes found amongst the physical materials from the 1960s and 70s, originating from the estate of the composer Patric Standford. The works explore loss and the changing nature of the traces we leave behind.
The Seasons
1972-2022
sculture object
reel to reel audio tape, glass jar with lid
This sculptural object is a response to the act of creating an archive from materials originating from the estate of the composer Patric Standford. The work explores loss, silence and the changing nature of the traces we leave behind. Now he is Gone